Barong, a mystical creature with a long way back and curved tail, represents the protector of mankind, and the favorable spirits associated with the right and white magic. The widow witch Rangda, the Barong’s antagonist, rules the evil spirits and witches who haunt the graveyards late at night. Her habitat is darkness and her specialties lie with the practice of black magic, the destructive force of the left. Both figures are of the same earthly substance, possessing strong magical prowess. In a mythical past, the Barong was won over to the side of humanity, and, in the play, fights on behalf of the people against the intruding evil force of Rangda.
The Barong dance describe that Rangda, the mother of the King in the tenth century, Erlangga, was condemned by her husband because she practiced black magic. After she became a widow, she summoned all the evil spirits in the jungle, the leaks and the demons, to come after Erlangga. A fight occurred, but she and her black magic troops were too strong that Erlangga had to ask for the help of Barong. Barong came with Erlangga's soldiers. The fight ensued. At one point in the fight, Erlangga’s soldiers rush to the Barong's assistance by violently attacking Rangda. Rangda casted a spell that reverses their fury back into themselves, and they begin to plunge the blades of their keris inward against their own bodies. It made all Erlangga’s soldiers wanted to kill themselves and pointing their poisoned keris into their own stomachs and chests. Barong casted a spell that turned their body resistant to the sharp keris. At the end, Barong won, and Rangda ran away.In this phenomenal self-stab, no matter how forcefully they plunge the daggers against their chests, the tips of the blades do not puncture the skin. At the end of the play, the keris dancers, that represents the Erlangga’s soldiers, are revived by the ‘Pemangku’, who sprinkles them with holy water which has been dipped in the beard of the Barong.
The most holy mask and the one often used in the play is that of the Barong Keket, "The Sovereign Lord of the Forest", a beast representing no known animal. In the extreme coordination of the lively Barong, one forgets the fantastic creature isn't acting on its own accord, as it mischievously side steps and whirls around, snapping its jaws at the gamelan, and swishing flies with its tail. After the Barong's dance, everyone falls silent. The Barong Keket dance accompanied by gamelan called Semar Pagulingan
The masks of Barong and Rangda are made of a wood which is taken away from a ghostlike place like grave. That's why Barong and Rangda represent the very sanctified sacred thing by Hindu's society in Bali. Before they are brought out, a priest must be present to offer blessings by sprinkling them with holy water taken from Mount Agung.
Location of Destination
The show of Barong dance can be found especially at Pura Dalem Ubud Temple in Gianyar regency. It also can be found in Batubulan village about 10 km north Denpasar, capital of Bali Island, Republic of Indonesia.
Route to Get Destination
By plane to Sukarno-Hata Airport (Jakarta). Then by domestic flight about 1 hours and 50 minutes from Sukarno-Hatta Airport (Jakarta) to I Gusti Ngurah Rai Airport (Bali Island). Or by international direct flight to I Gusti Ngurah Rai Airport (Bali Island).
Then by car about 20 minutes from Denpasar to Batubulan village.
Best Time to Visit
May to October, on the dry seasons.
The show usually begins at the time 19.30 PM.
Accommodation for Traveller
To attend at the show of Barong dance in Batubulan village, tourists usually stay in some hotels in Denpasar.
Aria Luxury Villas & Spa, Oranjje Denpasar, Hotel Puri Ayu Denpasar, Grand Santhi
Others
It’s available brochures about the Barong dance show printed in English, French, Italian, Indonesian, Japan, and Mandarin on the location.
1 comment:
nice, thanks for the info
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